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John Pennoyer  > Other > Featured Photo
This gallery will be a recent image that I will give some details on why, how, where, when and technical data that was required for me to take this particular image. However, like many things in photography there is generally more than one way to accomplish your goal.
Gallery pages:  1  
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John Pennoyer > June 1, 2009: Owlet Surprise

It always pays to have friends, especially those that know you are a nature photographer and are always looking for new subjects for you to photograph. A good friend of mine spotted this Great Horned Owl nest in one of our local park reserves, and he called me on my cell phone and I immediately met him at the nest location. 

The nest was relatively low in the tree and in an area that was relatively unobstructed. Right away I knew the best light would be in the early morning. Over the course of the next month I made about 14 trips to visit the nest site. On my third visit I did spot the little owlet under the wings of Mom. I went back a few days later and captured this image with the little owlete checking me out. On my visits I arrived pretty much at the same time, wore the same clothes, photographed from the same location. Both Owls got very used to me and on many occasions they just closed their eyes and napped. Sleeping wildlife may not make for the best imagery, but for this nature photographer I feel it is a great compliment because they are totally relaxed in my presence. A couple of weeks after this image was taken the little owlet did his branch hopping fledge and I never located it again. 

Tech Data:

Nikon D300
Nikon 500mm Lens w/ 1.4X
ISO 400
Aperture Priority
Matrix Metering
F 5.6 @ 1/640
EV 0
John Pennoyer > 6-27-09-Shooting silhouettes
Shooting silhouettes is really one of the easiest photography techniques to accomplish. How many of us have accomplished this by accident and not really intended for this style of image. When the light behind your subject is the brightest, the cameras reflective meter will automatically underexpose your subject. If this is not what the photographer intended, some + compensation must be dialed in. But for me when the situation calls for a silhouette I like to try my creative technique and get a different type of image. When doing silhouettes I have some criteria that must be met.
Subject: The subject must be able to define itself. In other words the viewer must be able to look at the silhouette and indentify it as the appropriate subject. As an example these two Common Loons were swimming right at my canoe, I had my camera all focused on them, but they would have been nothing but black blobs. As soon as they turned to their right and the Loons beak were now silhouetted that is when I took this image. A viewer may not know for sure they are Loons, but they know they are some type of "duck". Had I taken the photo with them swimming right at me, they could have been rocks sticking out of the water. 
Background/Foreground: Like anything else in photography, always try to keep the entire frame interesting. In this image I like how the out-of-focue shoreline helps anchor the background. The ripples in the front help the foreground.
Light: For me personally I want the light to be colorful and not just some white bright light. This was taken on a very cool morning with mist on the lake, which helped add some color and emotion to the image. 
Exposure: In most cases the bright light will want to over-expose your image, so a photographer will have to dial in some under-exposure. How much totally depends on the brightness and amount of light. This image was shot at -1 1/3,  with some minor Photoshop to achieve the image I wanted. It is always important not to blow out the the light, so under-expose more than necessary and use Photoshop or some other post-processing software to make the light more eye pleasing. Remember your subject is black anyway.  So if an opportunity makes itself present for a silhouette, go for it. 

Tech Data: Loon Silhouette
Camera: Nikon D300
Lens: Nikon 70-200mm VR w 1.4X
Focal Length: 120mm
ISO 400
Exposure: F5.6 @ 1/8000
Exposure Value: - 1 1/3
White Balance: Cloudy
Aperture Priority
Matrix Metering
John Pennoyer > July 04, 2009 Prairie Skies

Minnesota is definitly the land of 10,000 lakes but it also has lots of prairies for me to wander around in and look for subjects to help really show the viewer how beautiful prairies are. This image was taken at Sherburne NWR in central Minnesota. This image was taken almost at high noon which according to many photographers is the worst light to try and capture an image in. But I was sitting at my computer at home and when I saw the clouds beginning to form, I immediately loaded up my photography gear and headed out to the prairie. This is only about a 45 minute drive from my house and I spent the next two hours getting some great praiire images. For me I find it difficult to capture prairie images without showing the sky. So my goal in many images where I show the sky is that the sky must have character! In other words the sky must be interesting. I set my tripod low to the ground and composed the Butterfly Weed in the foreground, prairie grasses in the middle and than the cloud formations in the background. This is one of the ways I like to show my prairie images. 

Tech Data
Nikon D300
Nikon 12-24mm lens @ 12mm
ISO 400
F-14 @ 1/160
EV +1/3
2-stop Graduated Neutral Density Filter
Matrix Metering
Gitzo 1548 CF Tripod
Really Right Stuff BH 55 Ball Head
John Pennoyer > 8-02-09: White Water Lily's
Photographed at Phantom Lake, Crex Meadows WMA near Grantsburg, WI. The best time to photographer these water beauties is during the middle of the day. White Water Lily's will be closed  during the early morning and late afternoon light. These were photographed at around 3:30PM on  relative cool day and as you can see they are already beginning to close-up. 
When  I spotted these lily's I put on my waders and waded into the water, I spent considerable amount of time trying to figure out the best composition. This was no easy task with water above my knees and walking in the "muck" I was taking my time so as not to find myself sprawled in the lake but I certainly did not want to drown my photo equipment. 
This was absolutely a perfect day to photograph these flowers, the wind was certainly low enough to work with, plus I had some nice clouds to help not only with the composition but also to act as a diffuser for the light. 
Finally with my tripod legs spread out to bring the camera just a few inches above the water, using a cable release I was able to capture this image. Some of the lake went into my waders and my back side got a little wet but it was worth the effort. On arriving home I also took my Gitzo tripod legs apart and cleaned out the water and relubricated, this is very important for any tripod that is used submerged in water. 
Technical Data
Camera: Nikon D300
Lens: Nikon 12-24mm @ 12mm
Exposure: F-16 @ 1/20 second
Manual Exposure
ISO: 200
White Balance: Cloudy
Matrix Metering
Gitzo 1548 CF Tripod
Nikon Cable release
2-stop Graduated Neutral Density Filter
John Pennoyer > 9-01-09: Fringed Gentian
Genreally when I use my macro lens I like to show the fine detail in a petal of a flower or the scaly skin of a mushroom. This is generally done with a aperture of F-16 or higher.But there are times some subjects I like to get more creative and just show the color of the subject and its habitat. My method of doing this is to focus on a small section of the flower such as the petal of this Fringed Gentian. With my 105mm VF macro lens at F-2.8 this will allow the one edge of the petal to be sharp but all of the other parts of the image are totally out of focus and your eye is attracted to all of the color of the Fringed Gentain and the nice soft background. 
Fringed Gentian is a wet prairie flower that peaks around the first of September. 
Technical Data
Camera: Nikon D300
Lens: Nikon 105mm VR Macro
Exposure: F-2.8 @ 1/500
ISO 400
Matrix Metering
Manual Exposure
Gitzo 1548 tripod
John Pennoyer > 9-07-09: Prairie Sunrise
 Early September is always a good time to be out in the prairie with the warmer days and cooler evenings it allows the photographer lots of different opportunities. Driving to this location I noticed lots of mist rising off the low farmland areas, of course my mind was contemplating the same thing at this prairie. I was not to be disappointed, arriving at the praire a good 45 minutes before sunrise I could see the mist hanging over the prairie. I very quickly gathered my photo equipment and was busy locating a photogenic spot, when I noticed this rather tall Macmillian sunflower and decided to check out some different compositions. As the sun began to rise I composed this vertical and at about that time a mosquitoe landed on one of the leaves just to add a little interest. I used a 3-stop Graduated Neutral Density filter to control the bright sky/sun area to the darker prairie. It is always important to control contrast while in the field and during your post-processing, if not careful you would lose the misty feeling. For me the mist is what makes this image "rock". 

Technical Data
Camera: Nikon D300
Lens: Nikon 70-200mm VR S @ 122mm
Manual Exposure
F-22 @ 1/25
ISO 800
Matrix Metering
3-stop GND Filter
Gitzo 1548 tripod 
RRS BH 55 Ball head
John Pennoyer > 10-02-09: MNLR-9155
Turbulent Lake Superior-10-03-09: I have made 100's of trips to Minnesota's Lake Superior North Shore and I have never witnessed such high winds creating 10' to 15' waves. It was a photographers dream to not only see but to photograph this dramatic display of nature. The winds were 50+ MPH and the clouds were heavy and dramatic. Although it was right during the peak fall color along the shore, the heavy overcast made it very difficult to show this beautiful color. I spent most of the day at various spots along the North Shore and taking numerous images. But much of my time was spent at Split Rock Lighthouse St. Pk. Even while taking these images I knew in my mind that during my post-processing I would convert some of these images into black and white. This of course is another benefit of shooting digital, the process is very simple to take a color image and convert to black and white. With this image being various tones of gray to begin with it is an ideal candidate for this conversion. I use both Lightroom 2.4 and Photoshop CS 3 for all of my post-processing. This particular image was converted to Black and white in CS 3. (image/adjustments/black and white). After the conversion you will have to make some tonal adjustments to achieve the contrast for your black and white image that appeals to your taste. If you would like to make a compairson of this image in color go to landscapes/lakes-river/MNLR-9155 and you will see the exact same image in color. I would be interested in your opinions and feel free to leave a comment under this image. 
Technical Data
Nikon D300
28-70mm lens @ 52mm
ISO 800
Manual Exposure
Matrix metering
F-8 @ 1/800
Gitzo 1548 tripod with RRS BH 55 Ball head
John Pennoyer > 11-04-09; Resting Whitetail

I located this mature Whitetail Buck at one of Minnesota's State Parks just after sunrise, it was early November during the "chasing" phase of the Whitetail rut here in Minnesota. This buck was in a area where does were feeding on browse and some fallen acorns. This buck did not have eating on his mind as he was going from doe to doe to let them know what a magnificent speciman he was. They would have nothing to do with him but I still have to give him 5 stars for being very persistent. He left this group and proceeded into another woodlot after some searching I was able to relocate him and he was with another group of does and yearlings. After some more frustration he headed deeper into the woods and found a nice cozy spot and proceeded to lay down to take a break. It was at this time I was able to get close enough to capture this image. 
Whitetail bucks especially during the fall have always been one of my favorite subjects to pursue be it with bow or camera. Many people have always asked me if my whitetail images are of "wild" whitetails or from a game farm. Of course all of my images are of "wild" creatures. However, with saying that I do photograph in areas that are not open to hunting at least on a regular basis. My whitetail images do come from county parks, state parks, wildlfie refuges etc., usually these whitetails are used to people and "may not" take flight when they see you. But they are wild and have all of the charcteristics of wild whitetails. Two of my best tips to give anyone to capture images of whitetail deer especially mature/trophy bucks. 
1.Go alone, a whitetail usually will have no problem keeping track of one photographer, but two or more, forget it; he is out of there! 
2. Move slowly, rapid movements will make any wildlife critter exit quickly.
Using the above methods I was able to get within 90-100 feet and take a few images and than quietly left while he snoozed for a couple of hours.To see more whitetail images visit gallery/animals/whitetails.

Technical Data
Camera: Nikon D300
Lens: Nikon 70-200mm VR w/1.4X @ 340mm
Exposure: F5.6 @ 1/80
EV -1/3
Aperture Priority
ISO 400
Matrix Metering
Handheld with VR on
June 1, 2009: Owlet Surprise

It always pays to have friends, especially those that know you are a nature photographer and are always looking for new subjects for you to photograph. A good friend of mine spotted this Great Horned Owl nest in one of our local park reserves, and he called me on my cell phone and I immediately met him at the nest location.

The nest was relatively low in the tree and in an area that was relatively unobstructed. Right away I knew the best light would be in the early morning. Over the course of the next month I made about 14 trips to visit the nest site. On my third visit I did spot the little owlet under the wings of Mom. I went back a few days later and captured this image with the little owlete checking me out. On my visits I arrived pretty much at the same time, wore the same clothes, photographed from the same location. Both Owls got very used to me and on many occasions they just closed their eyes and napped. Sleeping wildlife may not make for the best imagery, but for this nature photographer I feel it is a great compliment because they are totally relaxed in my presence. A couple of weeks after this image was taken the little owlet did his branch hopping fledge and I never located it again.

Tech Data:

Nikon D300
Nikon 500mm Lens w/ 1.4X
ISO 400
Aperture Priority
Matrix Metering
F 5.6 @ 1/640
EV 0
John Pennoyer > June 1, 2009: Owlet Surprise

It always pays to have friends, especially those that know you are a nature photographer and are always looking for new subjects for you to photograph. A good friend of mine spotted this Great Horned Owl nest in one of our local park reserves, and he called me on my cell phone and I immediately met him at the nest location. 

The nest was relatively low in the tree and in an area that was relatively unobstructed. Right away I knew the best light would be in the early morning. Over the course of the next month I made about 14 trips to visit the nest site. On my third visit I did spot the little owlet under the wings of Mom. I went back a few days later and captured this image with the little owlete checking me out. On my visits I arrived pretty much at the same time, wore the same clothes, photographed from the same location. Both Owls got very used to me and on many occasions they just closed their eyes and napped. Sleeping wildlife may not make for the best imagery, but for this nature photographer I feel it is a great compliment because they are totally relaxed in my presence. A couple of weeks after this image was taken the little owlet did his branch hopping fledge and I never located it again. 

Tech Data:

Nikon D300
Nikon 500mm Lens w/ 1.4X
ISO 400
Aperture Priority
Matrix Metering
F 5.6 @ 1/640
EV 0
June 1, 2009: Owlet Surprise

It always pays to have friends, especially those that know you are a nature photographer and are always looking for new subjects for you to photograph. A good friend of mine spotted this Great Horned Owl nest in one of our local park reserves, and he called me on my cell phone and I immediately met him at the nest location.

The nest was relatively low in the tree and in an area that was relatively unobstructed. Right away I knew the best light would be in the early morning. Over the course of the next month I made about 14 trips to visit the nest site. On my third visit I did spot the little owlet under the wings of Mom. I went back a few days later and captured this image with the little owlete checking me out. On my visits I arrived pretty much at the same time, wore the same clothes, photographed from the same location. Both Owls got very used to me and on many occasions they just closed their eyes and napped. Sleeping wildlife may not make for the best imagery, but for this nature photographer I feel it is a great compliment because they are totally relaxed in my presence. A couple of weeks after this image was taken the little owlet did his branch hopping fledge and I never located it again.

Tech Data:

Nikon D300
Nikon 500mm Lens w/ 1.4X
ISO 400
Aperture Priority
Matrix Metering
F 5.6 @ 1/640
EV 0
Other sizes: S • Medium • L |
filename: 9060-Owlette |
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